Friday, May 27, 2011

Music of the U.S. Military


In honor of Memorial Day, here's a brief history of the official songs of the five service branches of the United States military.

Each branch of the military has its own theme song or hymn, and several performing groups that perform within that branch of the service.  These groups attract some of the finest performers in the United States, and many of them consider their membership the crowning achievement of their musical careers.

The Music Collection owns many of the compact discs produced by U.S. military ensembles, which perform all kinds of music, not just military music.  Check out the fine performances by the United States Air Force Band, the United States Marine Band, the United States Navy Band, and the United States Coast Guard Band. Ball State users can also hear a medley of all the offial military songs performed by the Air Force band and chorus here, via Naxos Music Library (Ball State log-in required from off-campus).

"The U.S. Air Force" is, appropriately enough, the title of the official song of The U.S. Air Force. Better known as "Into the Wild Blue Yonder," the song by Robert MacArthur Crawford was originally written in 1939 titled as "The Army Air Corps."

When the Air Corps became the U.S. Air Force, the lyrics were changed accordingly. The Air Force has several bands as well as Air National Guard bands, and vocal groups.  You can hear both vocal and instrumental versions of the Air Force song here.  The main vocal group in the Air Force is the Singing Sargeants.

    Off we go into the wild blue yonder,
    Climbing high into the sun;
    Here they come zooming to meet our thunder,
    At 'em boys, Give 'er the gun! (Give 'er the gun!)
    Down we dive, spouting our flame from under,
    Off with one helluva roar!**
    We live in fame or go down in flame. Hey!
    Nothing'll stop the U.S. Air Force!

The "Marine's Hymn" is the oldest of the service songs.  Legend credits the lyrics to a Marine on duty in Mexico during the Mexican-American War. The two famous opening lines, "From the Halls of Montezuma to the Shores of Tripoli," refer to the Battle of Chapultepec during the Mexican-American War and the Battle of Derne in 1805 during the First Barbary War. The tune is taken from the "Gendarmes' Duet" from Jacques Offenbach's Gedevieve de Brabant. Additional verses commemorate later wars and battles the Marines have fought.

The U.S. Marine Band is nicknamed "The President's Own" because it is the official band for events at the White House.  You can hear the Marines' Hymn as well as former Marine Band conductor John Philip Sousa's Semper Fidelis  here.  The second verse contains the most well-known words (below):
From the Halls of Montezuma,
To the shores of Tripoli
We fight our country's battles
In the air, on land, and sea;
First to fight for right and freedom
And to keep our honor clean.
We are proud to claim the title
Of United States Marine.
"Anchors Aweigh" is the fight song of the United States Naval Academy and is also used as the Navy ceremonial song, though it is still unofficial. Written in 1906 by Lt. Charles A Zimmerman with lyrics by Midshipman First Class Alfred Hart Miles, "Anchors Aweigh" was first played during the 1906 Army-Navy football game.  The original lyrics were later rewritten to reflect the entire Navy and not just the football team and their fans, including the famous third verse (below):
Anchors Aweigh my boys
Anchors Aweigh
Farewell to foreign shores
We sail at break of day 'ay 'ay 'ay
O'er our last night ashore
Drink to the foam
Until we meet once more
Here's wishing you a happy voyage home!
"The Army Goes Rolling Along" is based on field artillery First Lieutenant (later Brigadier General) Edmond L. Gruber's "The Caisson Song," composed as a morale booster for his field artillery unit while stationed in the Philippines in March, 1908.  A caisson is a two-wheeled, horse-drawn cart used to carry artillery ammunition, but now is used mainly in funerals.  Reworked lyrics, reflecting the whole Army and not just the field artillery, were written by Harold W. Arberg and dedicated on Veterans Day, 1956. 
Verse:
First to fight for the right,
And to build the Nation’s might,
And The Army Goes Rolling Along
Proud of all we have done,
Fighting till the battle’s won,
And the Army Goes Rolling Along.

Refrain:
Then it's Hi! Hi! Hey!
The Army's on its way.
Count off the cadence loud and strong
* "Two! Three!" *
For where e’er we go,
You will always know
That The Army Goes Rolling Along.
"Semper Paratus" ("Always Ready") is both the name of the official Coast Guard song and also their motto. The original music lyrics were written by Captain Francis Saltus van Boskerck in the 1920s. The current lyrics were written by Homer Smith in 1943. In 1969, the first line of each verse was changed.

Verse:
From Aztec Shore to Arctic Zone,
To Europe and Far East,
The Flag is carried by our ships
In times of war and peace;
And never have we struck it yet,
In spite of foemen's might,
Who cheered our crews and cheered again
For showing how to fight.

Chorus:
We're always ready for the call,
We place our trust in Thee.
Through surf and storm and howling gale,
High shall our purpose be,
"Semper Paratus" is our guide,
Our fame, our glory, too.
To fight to save or fight and die!
Aye! Coast Guard, we are for you.

Wednesday, May 25, 2011

Music for a Stormy Day



If you’ve been glued to The Weather Channel this week, you’ve heard a lot of smooth jazz, but never the whole song! To hear more from Ball State's Music Collection, go to the Media Finder for Music (Non-Classical) and select Jazz from the 1980s or 1990s. For that Weather Channel ambiance, check out Pat Metheny, David Benoit, Hugh Masakela, the Brecker Brothers, Bob James, Chuck Mangione, David Sanborn, Spyro Gyra, Grover Washington, or Lee Ritenour. And the ultimate 1970s-80s jazz group: Weather Report.

You can also search artists as "authors" in CardCat, or songs as keywords.  The Weather Channel posts their playlists here.  The Music Collection has compact discs by many of the artists listed.

If you'd rather ride out the storms with a good movie musical, try Stormy Weather, The Wizard of Oz, or Singin' in the Rain!

Wednesday, May 18, 2011

Gustav Mahler: 1860 - 1911

Composer and conductor Gustav Mahler died 100 years ago today.  Although he was a resident of New York at the time, he passed away in Vienna, the city where he began his career.

His musical style bridges the high Romanticism of the Nineteenth Century and the Modernism of the Twentieth Century.  It also melds vocal and orchestral sounds, by including solo and choral voices in symphonies and using a full symphonic orchestra to accompany songs.  He was one of the few composers who made his living as a conductor, conducting both opera and orchestral music.  He converted from Judaism to Catholicism to qualify for his post as director of the Vienna Court Opera but still experienced anti-semitism.

In New York he conducted both the Metropolitan Opera and the New York Philharmonic.  Leonard Bernstein, also Jewish and a much later conductor of the New York Philharmonic, became a champion of Mahler's music, recording all nine of the symphonies twice.  He also recorded the songs for voice and orchestra, Das Lied von der Erde (Song of the Earth) Kindertotenlieder (Songs on the Death of Children) and Lieder aus "des Knaben Wunderhorn"  (Songs from "The Youth's Magic Horn").  All nine symphonies, rehearsals, and Das Lied von der Erde are available on DVD in the Educational Resources Collections.



The Music Collection has several biographies of Mahler and books about his unique style as well as compact discs of his music.

Monday, May 9, 2011

Happy Summer!

The Music Collection hours for the summer are the same as for Bracken Library:

Monday-Thursday 7:00 a.m. – 3:00 a.m.

Friday 7:00 a.m. – 9:00 p.m.

Saturday 9:00 a.m. – 6:30 p.m.

Sunday 10:00 a.m. – 3:00 a.m.

This week (Interim) the Library closes at midnight instead of 3:00 a.m.

Wednesday, May 4, 2011

American Idol

Watching American Idol is sometimes like taking a walk down memory lane. Current contestants sing the hits of former contestants. Judges compare the singers to those that came before. Sometimes former winners make special appearances to present their newest hit song. Now that your finals are ending, you might enjoy the performances of the Final Five this month, leading to the grand finale.  These CDs from the Music Collection feature American Idol alums:


Clay Aiken (Season 2 runner-up)
   Measure of a Man
   COMPACT DISC 13906

Kris Allen (Season 8 winner)
   Kris Allen
   COMPACT DISC 18523

Kelly Clarkson (Season 1 winner)
   All I ever wanted
   COMPACT DISC 17984

   My December
   COMPACT DISC 18293

   Breakaway
   COMPACT DISC 16351

   Thankful
   COMPACT DISC 18294

Chris Daughtry (Season 5, 4th place)
   Leave This Town
   COMPACT DISC 17973

   Daughtry
   COMPACT DISC 17677

Fantasia (Season 3 winner)
   Back to Me
   COMPACT DISC 19950

Jennifer Hudson (Season 3, seventh place)
   Dreamgirls: Music from the Motion Picture
   COMPACT DISC 16952 DISC 1/2

Adam Lambert (Season 8 runner-up and Indianapolis native)
   For Your Entertainment
   COMPACT DISC 18519

Carrie Underwood (Season 4 winner)
   Play On
   COMPACT DISC 18524

   Carnival Ride
   COMPACT DISC 17695

   Some Hearts
   COMPACT DISC 18586


If their success inspires you, check out Sing Like an American Idol. The Music Collection has both the Men's edition and Women's edition.  These are songbooks with CDs of the accompaniments with "tone 'n' tempo changer."  The introductions include auditioning tips and information about the vocal coach for the show.

Tuesday, April 26, 2011

In honor of National Poetry Month, here are a few resources to help with the related art of songwriting.  Most of these books (the "MT" books) are available in the Music Collection.  The "PE" books are on the Third Floor of Bracken Library.

MT 67 .P383 2009

MT 67 .E38 2009

MT 67 .B43 2009

MT 67 .H55 2004

How to Write Songs on Guitar, by Rikky Rooksby
MT 67 .R66 2009

Righting Wrongs in Writing Songs, by Danny Cope
MT 67 .C628 2009

This Business of Songwriting, by Jason Blume.
MT 67 .B67 2006

In order to write a good song
The words should go where they belong
The best songs do rhyme
But not all the time
Sometimes the lyricist just can't figure out the last line
Having trouble coming up with rhymes?  We can help with that too!

PE 1519 .B76 2000

The Modern Rhyming Dictionary: How to Write Lyrics (including a practical guide to lyric writing for songwriters nad poets)
PE 1519 .L37 2000

Oxford Dictionary of Rhymes (Electronic resource)

Thursday, April 14, 2011

Subject Guide for Jazz


There is now a separate subject guide for jazz on the Ball State University subject guides page:


The guide includes tips for researchers, performers, and listeners.  I hope you find information you can use.

Wednesday, April 13, 2011

Music of the Civil War

The Civil War began 150 years ago with the Battle of Fort Sumter in South Carolina.  This war was a definitive war in American history, and the music of the time helped to define American identity as well.  Unlike the years of the American Revolution, music of the time was often published and much of it survived.

 You may be familiar with the soundtrack to the PBS series, "The Civil War," by Ken Burns.  "Ashokan Farewell," the haunting violin melody from the series became associated with the Civil War, but most music of the time was for voice with piano, or piano alone.  A few are still well known, such as the "Battle Hymn of the Republic."  Popular music of the day was spread by traveling minstrel troupes.  Some of Stephen Foster's songs come from this tradition.
Sheet music for many Civil War songs has been preserved by American libraries can be found online in digital format.  Ball State Libraries' Digital Media Repository has some Civil War Songs in the Hague Sheet Music Collection

Check out some of these Compact Discs:

Sheet Music of theCivil War

Tuesday, April 12, 2011

Poetry Month

April is National Poetry Month. Check out our poetry month displays on the Music Collection Counter.

Why would the Music Collection celebrate poetry month?  Songs are poems set to music, and in some cultures poetry and music are inseparable.  This was true in Ancient Greece, for example.

To see whether the Music Collection has songs set to your favorite poet's works, go to CardCat, and do a subject keyword search on the poet's name AND musical settings.  For example, Goethe and Musical Settings.

Monday, April 4, 2011

April in Song

Count Basie Orchestra cameo in "Blazing Saddles"

April in Paris is a jazz standard that is particularly associated with Count Basie's Orchestra (really a big band).  It is familiar to audiences thanks to a famous cameo appearance by the Count Basie Orchestra in the film, Blazing Saddles.  Among the famous vocal performances of this song are those by Frank Sinatra and Sarah Vaughan.

Another classic song is"April Showers," which has been popular for almost a century.  It was recorded by Al Jolson and popularized in the film, The Jolson Story.  More recently, it was recorded by Sugarland.

For a different take on April, check out "April Skies" by Jesus and Mary Chain.

Wednesday, March 23, 2011

Women's History Month: Hildegard of Bingen

One of the most remarkable women of the Middle Ages was Hildegard of Bingen (1098-1179).  She entered a monastery as a child and became one of the most influential nuns of the era.  Today she is known for her music, art, and writing.

Her play about vices and virtues, called Ordo virtutum, is one of the earliest known plays with music.  It is available on DVD, CD.  This play pits personifications of vices and virtues fighting for possession of a soul, also personified.  The only speaking role (and the only male role) is that of the Devil.

Hildegard eventually became an abbess and preached in the area now part of Germany.  Women of the Middle Ages rarely preached, and it was even more unusual for them to write about theology.  Hildegard wrote several treatises on theology.  Her book, Scivias ("Know the Ways") is a masterpiece of medieval theology, with sections on everything from the nature of the soul to the a chapter on the devil.  Her Liber vitae meritorum (Book of the Rewards of Life) expands on the concepts of sin and virtue.

It is rare for personal writings of anyone from the Middle Ages to survive, but Hildegard's letters have been preserved and translated.  Ball State University Libraries owns the two-volume set, and also makes them available online through ebooks.

Her hand-made books (manuscripts) are also known for their artwork.  Small paintings portrayed the mystic images that she had had since childhood (visions).  Although the actual painting was executed by artists, she is credited with the design.  One famous image, pictured on Anonymous 4's CD, "The Origin of Fire" (below) shows inspiration from Heaven entering into her mind.

Her musical works include long religious songs (sequences) and shorter pieces for use with psalms during monastic worship (antiphons).  They have experienced a revival and many are available on compact disc.

Because of her multi-faceted life, she is a frequent subject in interdisciplinary studies.  Scholars in music, theology, philosophy, art, history, and women's studies have all written about this important woman. To find information about her in multiple subject areas, try Ball State's MultiSearch, which searches many periodical databases (plus CardCat and WorldCat) at once.

Monday, March 21, 2011

Women's History Month: VH-1's Divas Live Concerts


VH-1’s Divas Live Concerts

Along with Lilith Fair (see March 4 post), VH-1’s Divas Live concert series has paid tribute to women in popular music since the late 1990s. Originally founded as a benefit concert for The VH-1 Save the Music Foundation, the concert series has maintained its commitment to helping music education programs in local schools. Additionally, the concerts have been used to honor some of the great female artists of popular music.

The first Divas Live concert on April 14, 1998 featured superstars such as Aretha Franklin, Gloria Estefan, Celine Dion, Shania Twain and Mariah Carey. The next year the concert expanded to include several special guest performers such as Elton John (called an “Honorary Diva”), Mary J. Blige, Chaka Khan, Faith Hill, and LeAnn Rimes along with the headliners, Whitney Houston, Tina Turner, Cher and Brandy.

The Divas 2000 concert was the first to pay tribute to a female pop music legend: Diana Ross. In addition to Ross, performers included Mariah Carey, Donna Summer, Faith Hill, Destiny’s Child, RuPaul and of course, The Supremes. The 2001 concert was another all-star tribute to “The One and Only Aretha Franklin.” Franklin was joined on stage by a host of artists including Mary J. Blige, The Backstreet Boys, Marc Anthony, Celia Cruz, Jill Scott, Nelly Furtado, Kid Rock, Bishop Paul Morton Choir, Herbie Hancock, Clark Terry, Ron Carter, Roy Haynes, James Carter, Russell Malone and Stevie Wonder.

From 2002 through 2004, the Divas Live concerts moved from New York to the MGM Grand Hotel in Las Vegas. Of course, the shows played up the Vegas connection by including such Vegas legends as Wayne Newton and Tom Jones. Headliners from this era included Celine Dion, Cher, Dixie Chicks, Shakira, Mary J. Blige, Beyonce, Lisa Marie Presley, Chaka Khan, Jewel, Ashanti, Whitney Houston, Patti LaBelle, Jessica Simpson, Joss Stone, Cyndi Lauper, Debbie Harry, Gladys Knight, and Eve.

In 2009, VH-1 not only restarted but reinvented the Divas concerts. Instead of paying tribute to long-established greats of the music industry, the new Divas concerts look to celebrate the up-and-coming artists who may one day be the next generation of Divas. The artists in 2009 included American Idol winners Kelly Clarkson and Jordin Sparks, Leona Lewis, Oscar-winner Jennifer Hudson (for her role in Dreamgirls), Adele, and Miley Cyrus and in 2010 Nicki Minaj, Sugarland, Grace Potter and the Nocturnals, Keri Hilson, Paramore, and Katy Perry. The 2010 show was dedicated to the US troops serving overseas and was performed at the Marine Corps Air Station Miramar in San Diego, CA and Army Camp Arifjan in Kuwait.

Wednesday, March 16, 2011

Happy St. Patrick's Day!

Happy St. Patrick's Day!

Are you wearing green today?  The "Wearing of the Green"  is a song about showing cultural pride but also signfies the hardships of the Irish at home and abroad.

Inspired by the American Revolution, Irish Catholics fed up with Protestant rule attempted a revolution in 1798.  Wearing green may have been a sign of opposition against the "Orange Order," a protestant group that was loyal to England.  Green is the opposite of orange on the color wheel, but also the color of the shamrock, associated with St. Patrick.

In 1798 wearing green would have been an act of defiance, and wearing it on St. Patrick's Day would have been an especially nationalistic act.  For immigrants to the U.S. in the late Nineteenth Century, celebrating St. Patrick's Day and wearing green became symbolic of ethnic pride for a downtrodden group.

Soon the ethnic pride of the Irish made everyone without their own ethnic holiday (i.e., everyone!) honorary Irish.  Check out Judy Garland singing "Wearing o' the green."

For the famous "Danny Boy," follow this link to the Historic American Sheet Music Collection at Duke University.  The tune may have been Irish but the words to this 1913 version were written by an Englishman and popularized in the United States.

Friday, March 4, 2011

Women's History Month: Lilith Fair

Women Rock On!

The summer of 2010 saw the return of one of the highest-earning touring festivals of the 1990s. From 1997 through 1999, Lilith Fair entertained 1.5 million fans and raised over $10 million for national and local charities. Ironically, the inspiration for this successful tour was the recording industry’s erroneous belief that a women's music tour could not be a financial success.

In 1996, Grammy award-winning singer/songwriter Sarah McLachlan became frustrated with the concert promoters who would not feature two female musicians on the same bill and radio stations which would not play their music back to back.  Her frustration led her to decide to prove a point. McLachlan self-booked a tour for herself and fellow singer/songwriter Paula Cole, and it became one of the more successful tours of the year.  The tour date in Halifax, Nova Scotia (McLachlan’s home town) featuring McLachlan and Cole with guests Lisa Loeb and Michelle McAdorey was the first show to be called “Lilith Fair.” The name came from the mythological Lilith, the first wife of Adam, who was cast out of Eden because she would not do as she was told—a fitting image for women who were bucking the male-dominated music industry’s rules.

The next year, McLachlan founded the Lilith Fair tour. A total of 61 acts played in various line-ups in 36 concerts across the United States and Canada, including the Deer Creek Music Center in Noblesville, Indiana, now known as the Verison Wireless Music Center.  The following two years saw an expansion in the number of artists and concerts on the tour, making Lilith Fair one of the largest tours of the 90s.

Ticket sales for the 2010 revival of Lilith Fair were plagued by the current state of the economy. Light sales  forced the cancellation of several dates. Nevertheless, reviews were strong and the organizers have promised that Lilith Fair will return in 2011 and 2012.

The Music Collection has CDs by several of the women featured on the 2010 tour including:


Cat Power

Colbie Caillat

Emmylou Harris

Erykah Badu

Heart



Martina McBride





Tuesday, March 1, 2011

Disability Awareness Month

March is Disability Awareness Month, and music is one of the few fields where people with disabilities have become famous, while their disabilities all but disappear.  Consequently, there have been many famous musicians with disabilities.  Blindness is the most common affliction, but there have also been musicians with physical disabilities who attained fame. 

The Music Collection has books about music and disabilities, including books aimed at music teachers encountering students with disabilities, and biographies of some of the more famous musicians with disabilities..

Famous Blind Musicians:

Francesco Landini, 14th-Century organist blinded by smallpox

Blind Tom, one of the first famous blind musicians of the United States

Blind Lemon Jefferson, early Delta Blues singer

Blind Willie Johnson, early Delta Blues singer

Ray Charles, famous R&B singer/pianist

Stevie Wonder, famous R&B singer/pianist

Andrea Bocelli, popular classical crossover singer

Art Tatum, jazz pianist

George Shearing, jazz pianist

Tommy, by The Who, a rock opera about a blind and deaf pinball player

Musicians With Other Disabilities:

Itzhak Perlman, one of the top violinists of our time.  A native of Israel, because of a childhood case of polio, he needs crutches to get around.

Paul Wittgenstein was a famous pianist who lost his right hand in World War I.  Wittgenstein inspired, arranged or collaborated on piano music for one hand. Later injured pianists, such as Leon Fleisher, have been able to continue performing thanks to that repertoire.


Music, Disability, and Society by Alex Lubet ML 3820 .L823 2011

Monday, February 28, 2011

Fisk Jubilee Singers: The legacy

In 1875 the singers went on tour again, repeating the schedule of starting in the Northern United States and then traveling to the British Isles.  This was also the ten-year anniversary of the university, and the year of its first graduating class.  Unlike traditional universities, Fisk students sometimes entered without any education at all.  The first graduating class therefore included students who had been prevented by law from learning to read as children, and had to start from the very beginning.

The singers' previous trip was successful in raising donations for the school, but also in uplifting the race.  These descendents of people who had crossed the Atlantic in shackles now traveled to Europe aboard a luxury steamer, with a discounted rate due to their reputation.

Again, they performed at religious services and concerts in London, attracting audiences as large as 10,000.  On a smaller scale, they also reached out to Sunday School children.  Another trip to Scotland was equally sucessful, with over 5,000 at one event.  By now their repertoire was more well known, and they received requests for specific songs, such as Steal Away and I've been Redeemed (below).  They returned from their second trip with £10,000 in donations for Fisk.

Their success inspired other Reconstruction era colleges for freed slaves to follow suit, and many colleges continue the tradition of an annual tour, including the Fisk Jubilee Singers.

For more on the history and impact of the Fisk Jubilee Singers, read Tell Them We Are Singing for Jesus: The Original Fisk Jubilee Singers and Christian Reconstruction, 1871 - 1878.

Thursday, February 24, 2011

Scotland, then home

After a successful concert tour in England, theh Jubilee singers spent their winter concertizing in Scotland.  As in England, they were welcomed warmly and performed almost daily.

They returned to Nashville at the end of the school year, exhausted but having been successful in securing cash donations and a donation of books for the library.

Maggie Porter, one of the group's best singers, had a personal mission while in England: to find her father.  After the war her father had left with other freedmen for Liberia to find work.  Liberia had been founded as a refuge for freed slaves before the war and continued to be a destination afterward.  Unfortunately for Maggie Porter, her father seems to have disappeared after signing on with a company of freedmen.  She attempted to find him through contacts she made while traveling in England.  Sadly, no word ever came from or about him.

After her second year at Fisk, Maggie took a position as a school teacher at a small town school for black children.  During Christmas break the school was burned, probably by local whites who disapproved of education for blacks.

Back at Fisk, Maggie was able to assume the role of Queen, as Esther in the Handel Oratorio, Esther.  Audiences in England who read Maggie's story in the commemorative songbooks probably wondered at the quickly changing fortunes of freed slaves who were treated like royalty in England and at Fisk and yet continued to face racism in daily life.

Tuesday, February 22, 2011

Fisk Jubilee Singers: First Trip to London

In May of 1872, the Fisk Jubilee Singers set sail for England, after suitable groundwork had been laid by an advance party.


On their second engagement, they sang a private performance of three songs for Queen Victoria: "Steal Away," The Lord's Prayer," and "Go Down, Moses."  Later, they would perform "The Lord's Prayer" at a luncheon attended by the Prince and Princess of Wales (the future Edward VII) who requested "No More Auction Block For Me." Their other engagements included members of the nobility, especially abolitionists and those who worked with the poor.

They had fewer choices of venue in England due to the differences in religious worship practices there, but at one event they sang to a congregation of over 5,000 people.

One of the most frequently requested songs in England was "John Brown's Body."  This used new words added to the melody of the Battle Hymn of the Republic.  John Brown was an abolitionist who believed in violent resistance against slavery rather than the peaceful means advocated by other abolitionists.  He was executed after organizing a raid on a federal armory with the intention to seize munitions to give to slaves for slave uprisings.  The song, "John Brown's Body," was sung by Union soldiers, and his execution was seen as an act of sacrifice on behalf of the slaves.  Stanza 3 begins with "John Brown died that the slave might be free," and Stanza 4 refers to the Jubilee.  For slaves and abolitionists alike, this song represented sacrifice and victory.

Thursday, February 17, 2011

Fisk Jubilee Singers: New England

New England in the late nineteenth century was a busy hub of industry and commerce, and it was also home to some of the most active abolitionists of the pre-war era.  Wealth and empathy combined meant the group would finally be able to send finds and goods back home to Fisk University.  It was during this part of their tour that the first commemorative book of spirituals was published and sold at concerts "by the hundreds."

Manufacturers sympathetic to the university's mission contributed everything from clocks to silverware to a pipe organ to help the start-up university.  In New Haven, esteemed citizens took the singers into their homes when hotels turned them away on account of their skin color.   They never knew whether their first greeting would be positive or negative, but they always had friends ready to defend their rights.   In Bridgeport, Connecticut they stayed in the best rooms of a first-class hotel, but in Newark, New Jersey, they were thrown out onto the street when the proprietor of a tavern discovered their authentic dark skin, not cork-darkened skin of other traveling "minstrels."  This caused his other customers to leave, and the city of Newark's outrage over the event inspired a law granting black children access to public schools.

Concerts throughout Massachussetts and the rest of New England netted them more money and gifts for the university.  They returned to Fisk after six months on the road, bringing with them $20,000 in donations and promises of goods for the new building.  They rode in a first-class railway car as they headed home.

The also made a trip to Washington, D.C., where they sang "Go down, Moses" for the president and vice president.  Note that two of the later stanzas (18 and 22) reference the chains of slavery.


This post is part of a series dedicated to sharing the story of the Fisk Jubilee Singers as told in The story of the Jubilee Singers; with their songs by J.B. Marsh, from the Ball State Library Music Collection.

Tuesday, February 15, 2011

Fisk Jubilee Singers: America Robinson

In the famous photo of the singers that opens The Story of the Jubilee Singers, only one of the singers is shown in profile.  She was America Robinson, a dedicated student who was part of the opening day student body at Fisk in 1866. 

Both of America's parents were part-white slaves in Murfreesboro, Tennessee.  Her mother served a hard-hearted mistress who beat the child, leaving a gash across the face.  This may have been the reason for sitting in profile, though a later photo shows no scarring.

When Union troops evacuated Murfreesboro, they helped the entire family escape, concealed in an army wagon.

Her father was a rare slave who had been taught to read, so America had learned well enough from him to be able to make a living between school years as a teacher.

Number 53 in their songbook is "I'm Troubled in Mind," a song given to the singers by a former slave who remembered her father singing it to soothe himself after beatings.  Many spirituals functioned as a kind of musical salve to slaves who experienced beatings, separation from family, and other indignities.  By using imagery and references to Christianity, they created a genre that could soothe in any circumstance and reach the heart of the freeborn white audiences of the North.  The audiences probably wondered what horrors the former slaves had experienced as they listened to the song.   And for some singers, like America Robinson, it may have held special meaning.

Monday, February 14, 2011

Serenade your Sweetie: Music for Valentine's Day

The Music Collection has songbooks with background CDs with lots of love songs for you to serenade your sweetie.  These are just some of the Songbook/CD selections for your romantic date:

For Men:

Great Standards Collection


For Women:

Easygoing R&B

Motown

Taylor Swift

Frank Sinatra Standards

Patsy Cline